Ballet Slippers Making Of

I left, I went with the Polish, because ...

This sensational film dwuekranowy Krystyna Piotrowska (I prefer the term film, from the term "video installations"), which from start to finish today, I looked at the exhibition "History in Art" in the open week ago MOCAK-u . The exhibition as the exhibition, displayed a set of works, nor the curator concept somehow threw me specifically, but with the exception of two art projects with a strong documentary character.

Personnel from the movie Krystyna Piotrowska, I left, I went with the Polish, because ...

Piotrowska film has a simple structure. Consistently shown in a tight frame Polish Jews, who in March 1968 after the forced de migration, develop a title sentence. First, in Polish on the screen to the left, then in the language of the country to which they emigrated, the screen on the left. Something amazing! After seeing the first speech I sat down with the impression, and then for 35 minutes, I sat, watched and listened. Gallery unusual physiognomy and review various arguments. I'm not going to quote them here, because I think you see all the selected speeches by the author, although the content is easy to guess ...

Krystyna Piotrowska The proposal appeared for the first time on her show in Zacheta in 2008 entitled "Travel Documents" (the 40th anniversary of March 1968). However, since then I have not seen the exposure, and in the footer of the film being shown in MOCAK-in date of 2010 appears, we may assume (?) That the final product differs slightly from that of the "Documents".

Miroslaw Balka, Audi F114 HBE

Audi F114 HBE "is wideoistalacja Miroslaw Balka, which consists of a sequence of stills cut from television coverage, showing the visit of Pope Benedict XVI at Auschwitz in 2006. This is the moment of passing armored limousines with the head of the Catholic church by way of internal camp (Auschwitz I specifically) all the time in a tight cordon of bodyguards. Balka's work is a master of found footage photocast, who, referring to the conventions of photojournalism press, through a simple procedure pause frame, it presents to our eyes a slightly different dimension to this visit ... (not to use a stronger word).